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Art Works 1892-1924 artist: Erik Satie year: 2023 label: Les Disques Du Crépuscule catalog_no: twi 1258 cd country: Europe discogsID: 27228996 format:
4xCD
tracks:
Vexations
1-1: Erik Satie - Vexations (69:40) Dada Works & Entr'actes 2-1: Erik Satie - Trois Morceau En Forme De Poire (4 Mains) (1903): Maniere De Commencement (4:05) 2-2: Erik Satie - Trois Morceau En Forme De Poire (4 Mains) (1903): Prolongation De Meme (0:47) 2-3: Erik Satie - Trois Morceau En Forme De Poire (4 Mains) (1903): Lentement (1:27) 2-4: Erik Satie - Trois Morceau En Forme De Poire (4 Mains) (1903): Enleve (2:43) 2-5: Erik Satie - Trois Morceau En Forme De Poire (4 Mains) (1903): Brutal (2:12) 2-6: Erik Satie - Trois Morceau En Forme De Poire (4 Mains) (1903): En Plus (2:21) 2-7: Erik Satie - Trois Morceau En Forme De Poire (4 Mains) (1903): Redite (1:31) 2-8: Erik Satie - Ragtime Dada (Aka Ragtime Parade) (2:33) Relache Pt. 1 2-9: Erik Satie - Ouverture (1:09) 2-10: Erik Satie - Premier Acte: Projection (0:42) 2-11: Erik Satie - Premier Acte: Rideau (0:24) 2-12: Erik Satie - Premier Acte: Entree De La Femme (1:14) 2-13: Erik Satie - Premier Acte: "Musique" (0:37) 2-14: Erik Satie - Premier Acte: Entree De L'Hommes (0:38) 2-15: Erik Satie - Premier Acte: Danse De La Porte Tournante (0:54) 2-16: Erik Satie - Premier Acte: Entree Des Hommes (0:39) 2-17: Erik Satie - Premier Acte: Danse Des Hommes (0:42) 2-18: Erik Satie - Premier Acte: Danse De La Femme (1:04) 2-19: Erik Satie - Premier Acte: Final (1:15) 2-20: Erik Satie - Cinema (Entr'acte): Cheminees, Ballons Qui Explosent (1:29) 2-21: Erik Satie - Cinema (Entr'acte): Gants De Boxes Et Allumettes (0:42) 2-22: Erik Satie - Cinema (Entr'acte): Prises D'Air, Jeux D'Echec Et Bateaux Sur Les Toits (0:57) 2-23: Erik Satie - Cinema (Entr'acte): La Danseuse Et Figures Dans L'Eau (0:42) 2-24: Erik Satie - Cinema (Entr'acte): Chasseur; Et Debut De L'Enterrement (1:25) 2-25: Erik Satie - Cinema (Entr'acte): Marche Funebre (0:51) 2-26: Erik Satie - Cinema (Entr'acte): Cortege Au Ralenti (1:35) 2-27: Erik Satie - Cinema (Entr'acte): La Poursuite (1:10) 2-28: Erik Satie - Cinema (Entr'acte): Chute Du Cercueil Et Sortie De Borlin (1:00) 2-29: Erik Satie - Cinema (Entr'acte): Final (Ecran Creve Et Fin) (1:05) Relache Pt. 2 2-30: Erik Satie - Deuxieme Acte: Musique De Rentree (0:56) 2-31: Erik Satie - Deuxieme Acte: Rentree Des Hommes (0:54) 2-32: Erik Satie - Deuxieme Acte: Rentree De La Femme (1:15) 2-33: Erik Satie - Deuxieme Acte: Les Hommes Se Devetissent (0:34) 2-34: Erik Satie - Deuxieme Acte: Danse De L'Homme Et De La Femme (1:13) 2-35: Erik Satie - Deuxieme Acte: Les Hommes Regagnent Leur Place Et Retrouvent Leurs Pardessus (0:51) 2-36: Erik Satie - Deuxieme Acte: Danse De La Brouette (1:21) 2-37: Erik Satie - Deuxieme Acte: Danse De La Couronne (0:57) 2-38: Erik Satie - Deuxieme Acte: Le Danseur Depose La Couronne Sur La Tete D'Une Spectratrice (0:46) 2-39: Erik Satie - Deuxieme Acte: La Femme Rejoint Son Fauteuil (1:05) 2-40: Erik Satie - Deuxieme Acte: Petite Danse Finale (La Queue Du Chien) (0:43) Cubist Works 3-1: Erik Satie - Les Pantins Dansent (1:16) 3-2: Erik Satie - Trois Valses Distinguees Du Precieux Degoute: Sa Taille / Son Bincole / Ses Jambes (2:26) 3-3: Erik Satie - Parade (Piano 4 Hands): Choral - Prelude Du Rideau Rouge - Le Prestidigitateur Chinois (4:12) 3-4: Erik Satie - Parade (Piano 4 Hands): Petite Fille Americaine (0:40) 3-5: Erik Satie - Parade (Piano 4 Hands): Acrobates (4:02) 3-6: Erik Satie - Parade (Piano 4 Hands): Final - Suite Au 'Prelude Du Rideau Rouge' (3:47) Mercure (Piano) 3-7: Erik Satie - Ouverture: Mouvement de Marche (1:16) 3-8: Erik Satie - Premier Tableau: La Nuit (1:06) 3-9: Erik Satie - Premier Tableau: Danse De Tendresse (1:39) 3-10: Erik Satie - Premier Tableau: Signes Du Zodiaque (0:38) 3-11: Erik Satie - Premier Tableau: Entree Et Danse De Mercure (1:16) 3-12: Erik Satie - Deuxieme Tableau: Danse Des Graces (1:05) 3-13: Erik Satie - Deuxieme Tableau: Bain Des Graces (1:08) 3-14: Erik Satie - Deuxieme Tableau: Fuite De Mecure (0:18) 3-15: Erik Satie - Deuxieme Tableau: Colere De Cerbere (0:23) 3-16: Erik Satie - Troisieme Tableau: Polka Des Lettres (0:58) 3-17: Erik Satie - Troisieme Tableau: Nouvelle Danse (1:06) 3-18: Erik Satie - Troisieme Tableau: Le Chaos (0:30) 3-19: Erik Satie - Troisieme Tableau: Finale: Rapt De Proserpine (1:07) 3-20: Erik Satie - Divertissement (La Statue Retrouvee): Entree (Mouvement De Marche) / 1ere Recherche / 2ere Recherche / A Deux (Vers La Statue) / Retraite (1:05) 3-21: Erik Satie - Parade (Orchestral): Choral (1:05) 3-22: Erik Satie - Parade (Orchestral): Prelude Du Rideau Rouge - Le Prestidigitateur Chinois (4:31) 3-23: Erik Satie - Parade (Orchestral): Petite Fille Americaine (3:14) 3-24: Erik Satie - Parade (Orchestral): Acrobates - Final (3:32) 3-25: Erik Satie - Parade (Orchestral): Suite Au 'Prelude Du Rideau Rouge' (0:38) Mecure (Orchestral) 3-26: Erik Satie - Ouverture: Mouvement De Marche (1:13) 3-27: Erik Satie - Premier Tableau: La Nuit (1:07) 3-28: Erik Satie - Premier Tableau: Danse De Tendresse (1:50) 3-29: Erik Satie - Premier Tableau: Signes Du Zodiaque (0:48) 3-30: Erik Satie - Premier Tableau: Entree Et Danse De Mercure (1:07) 3-31: Erik Satie - Deuxieme Tableau: Danse Des Graces (1:11) 3-32: Erik Satie - Deuxieme Tableau: Bain Des Graces (1:14) 3-33: Erik Satie - Deuxieme Tableau: Fuite De Mercure (0:15) 3-34: Erik Satie - Deuxieme Tableau: Colere De Cerbere (0:19) 3-35: Erik Satie - Troisieme Tableau: Polka Des Lettres (0:52) 3-36: Erik Satie - Troisieme Tableau: Nouvelle Danse (0:39) 3-37: Erik Satie - Troisieme Tableau: Le Chaos (0:26) 3-38: Erik Satie - Troisieme Tableau: Finale: Rapt De Proserpine (1:09) Furniture Music & Other Works 4-1: Erik Satie - Musique D'Ameublement (1917-1923): Tapisserie En Fer Forge (1917) (0:38) 4-2: Erik Satie - Musique D'Ameublement (1917-1923): Carrelage Phonique (1917) (1:06) 4-3: Erik Satie - Musique D'Ameublement (1917-1923): Sons Industriels #1 - Chez Un "Bistrot" (1920) (2:10) 4-4: Erik Satie - Musique D'Ameublement (1917-1923): Sons Industriels #2 - Un Salon (1920) (3:11) 4-5: Erik Satie - Musique D'Ameublement (1917-1923): Tenture De Cabinet Prefectoral (1:59) 4-6: Erik Satie - Le Piege de Meduse (1913) (3:41) 4-7: Erik Satie - Descriptions Automatiques (1913) (3:22) 4-8: Erik Satie - Embryons Desseches (1913) (5:20) 4-9: Erik Satie - Sports Et Divertissements: Choral Inappetisant (Unappetizing Chorale) (1:01) 4-10: Erik Satie - Sports Et Divertissements: La Balancoire (The Swing) (0:37) 4-11: Erik Satie - Sports Et Divertissements: La Chasse (Hunting) (0:21) 4-12: Erik Satie - Sports Et Divertissements: La Comedie Italienee (The Italian Comedy) (0:49) 4-13: Erik Satie - Sports Et Divertissements: Le Reveil De La Mariee (The Awakening Of The Bride) (0:28) 4-14: Erik Satie - Sports Et Divertissements: Colin-Maillard (Blind Man's Buff) (0:50) 4-15: Erik Satie - Sports Et Divertissements: Le Peche (Fishing) (0:49) 4-16: Erik Satie - Sports Et Divertissements: Le Yachting (Yachting) (1:01) 4-17: Erik Satie - Sports Et Divertissements: Le Bain De Mer (Sea Bathing) (0:39) 4-18: Erik Satie - Sports Et Divertissements: Le Carnaval (Carnival) (0:30) 4-19: Erik Satie - Sports Et Divertissements: Le Golf (Golf) (0:35) 4-20: Erik Satie - Sports Et Divertissements: Le Pieuvre (The Octopus) (0:40) 4-21: Erik Satie - Sports Et Divertissements: Les Courses (The Races) (0:22) 4-22: Erik Satie - Sports Et Divertissements: Les Quatres-Coins (Puss In The Corner) (0:36) 4-23: Erik Satie - Sports Et Divertissements: Le Pique-nique (The Picnic) (0:26) 4-24: Erik Satie - Sports Et Divertissements: Le Water-chute (The Water Chute) (0:38) 4-25: Erik Satie - Sports Et Divertissements: Le Tango (Perpetuel) (Non-Stop Tango) (4:50) 4-26: Erik Satie - Sports Et Divertissements: Le Traineau (Sledging) (0:28) 4-27: Erik Satie - Sports Et Divertissements: Le Flire (Flirting) (0:36) 4-28: Erik Satie - Sports Et Divertissements: Le Feu D'Artifice (Fireworks) (0:30) 4-29: Erik Satie - Sports Et Divertissements: Le Tennis (Tennis) (0:32) 4-30: Erik Satie - Uspud ('Ballet Chretien') (1892): Act I: Lente, A Deserted Beach (14:10) 4-31: Erik Satie - Uspud ('Ballet Chretien') (1892): Act II: Lent, The House of Uspud (7:55) 4-32: Erik Satie - Uspud ('Ballet Chretien') (1892): Act III: Lente, The Summit Of A Moutain - Upon It A Crucifix (11:46) |
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['Classical']styles:
['Contemporary', 'Impressionist', 'Neo-Classical']tags:
['Compilation', 'Box Set']notes:
Les Disques du Crepuscule presents a comprehensive 4 disc CD anthology by visionary French avant-garde composer Erik Satie, collecting together piano works associated with the Dada, Cubist and Surrealist art movements, as well as his celebrated musique d'ameublement (furniture music) written between 1917 and 1923.
Disc 1 offers Satie's extraordinary Vexations, the score for which is just three lines long, yet a complete performance (840 repetitions) may last for anything between 14 and 28 hours. First performed under the supervision of John Cage in 1963, this radical, enigmatic, proto-Surrealist work is now recognised as a significant milestone in the avant-garde canon. This meditative 70 minute recording features 40 repetitions of the motif, performed by Alan Marks on piano.
Disc 2 is a collection of Dada-related works, including music used by Francis Picabia, Tristan Tzara, Kurt Schwitters and René Clair. An enthusiastic Dada activist in Paris between 1920 and 1924, Satie collaborated extensively with Tzara, Man Ray, Pablo Picasso and Jean Cocteau, and wrote often in Picabia's journal 391. Performed on piano by Bojan Gorisek, this disc includes Trois morceaux en forme de poire, performed by Satie in 1923 at Tzara's notorious Soirée du Coeur à Barbe, as well as Ragtime Dada, an extract from the ballet Parade performed at Dada events staged by Kurt Schwitters and Theo van Doesburg in 1922. Also included is Satie's score for Entr'acte, Picabia's dazzling multi-media 'instantaneist' ballet. Relâche dates from 1924, while Cinéma is Satie's music for an intermission film by René Clair. Both are arrangements for solo piano.
Cubist Works on Disc 3 offers four works composed by Satie between 1913 and 1924 for his collaborations with Pablo Picasso. These include piano and orchestral versions of his scores for the celebrated 'Cubist' ballets Parade (1917) and Mercure (1924), as well as a seldom-heard organ 'diversion', The Statue Found (1923). This third disc also includes The Puppets Are Dancing, written for the French Futurist dancer/poet Valentine de Saint-Point in 1913, and the ludic Trois valses distinguées du précieux dégouté ('Three Disgustingly Precious Waltzes'), a barbed swipe at rival composer Maurice Ravel, premiered at an exhibition of works by Picasso, Matisse and others in 1916. Solo piano performed by Bojan Gorisek.
Disc 4 leads with Satie's often referenced (but seldom heard) musique d'ameublement (furniture music), written to order for various benefactors between 1917 and 1923. Intended to be heard in the background, rather than actually listened to, these five disparate pieces have been cited as a conceptual precursor to the ambient, minimal, functional and serial works of Brian Eno, Paul Hindemith, Steve Reich and Philip Glass. Also included are the experimental pieces Descriptions automatiques and Sports et divertissements, the latter a collection of 21 miniatures from 1914 published with illustrations by Charles Martin. Disc 4 also finds space for Satie's single-act, neo-Dada lyric comedy Le Piège de Médusa, comprising 'seven tiny dances for Jonah the Monkey', illustrated by Cubist painter Georges Braque., as well as his 'Christian ballet' Uspud from 1892.
The 4 full length CDs are housed in a clamshell box, which also includes an illustrated 32 page booklet featuring detailed liner notes by James Nice and Stephen Whittington.